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    <title>KilroyWasHere's New Writeups</title>
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    <updated>2009-02-04T00:56:13Z</updated>
<entry><title>WALL-E (idea)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/KilroyWasHere/writeups/WALL-E"/><id>http://www.everything2.com:80/user/KilroyWasHere/writeups/WALL-E</id><author><name>KilroyWasHere</name><uri>http://www.everything2.com:80/user/KilroyWasHere</uri></author><published>2009-02-04T00:56:13Z</published><updated>2009-02-04T00:56:13Z</updated>
<content type="html">&lt;p&gt;&lt;strong&gt;A Non-Comprehensive List of Comparisons Between WALL·E and Cave Story&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;So like about half of America, I saw &lt;em&gt;&lt;a href=&quot;/title/WALL-E&quot;&gt;WALL·E&lt;/a&gt;&lt;/em&gt; last summer and, to put it mildly, was rather blown away. To put in perspective just how blown away I was: I can count on &lt;a href=&quot;/title/well%252C+one+and+a+half+hands&quot;&gt;one hand&lt;/a&gt; the number of movies I've watched more than once in the theater. Most of these were things I got dragged to with a group of friends, family, etc., after having already seen it; rarely, there would be &lt;a href=&quot;/title/i+%2526hearts%253B+huckabees&quot;&gt;a movie&lt;/a&gt; I enjoyed so much I watched it twice.&lt;/p&gt;

&lt;p&gt;&lt;br&gt;I saw &lt;em&gt;WALL·E&lt;/em&gt; four times.&lt;/p&gt;

&lt;p&gt;&lt;br&gt;After about the third time, I started getting this &lt;a href=&quot;/title/%2522Tip+of+the+tongue%2522+experience&quot;&gt;niggling feeling&lt;/a&gt; in the back of my head that &lt;em&gt;WALL·E&lt;/em&gt; was reminding me of something. I was a bit perplexed--as you know if you've seen &lt;em&gt;WALL·E&lt;/em&gt;, it's a fairly unorthodox plot. Finally, though, it came to me:&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;/title/Cave+Story&quot;&gt;Cave Story&lt;/a&gt;!&lt;/p&gt;

&lt;p&gt;Check the node for more details, but&amp;hellip;</content>
</entry><entry><title>Miscellaneous CMC (essay)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/KilroyWasHere/writeups/Miscellaneous+CMC"/><id>http://www.everything2.com:80/user/KilroyWasHere/writeups/Miscellaneous+CMC</id><author><name>KilroyWasHere</name><uri>http://www.everything2.com:80/user/KilroyWasHere</uri></author><published>2007-05-29T23:53:32Z</published><updated>2007-05-29T23:53:32Z</updated>
<content type="html">&lt;small&gt;Back to &lt;a href=&quot;/title/computer-mediated+communication&quot;&gt;computer-mediated communication&lt;/a&gt;&lt;/small&gt;&lt;p&gt;
Naturally, different methods of interactional &lt;a href=&quot;/title/computer-mediated+communication&quot;&gt;CMC&lt;/a&gt; range far beyond the three main &lt;a href=&quot;/title/Language+and+the+Internet&quot;&gt;registers&lt;/a&gt; &lt;a href=&quot;/title/Language+and+e-mail&quot;&gt;previously&lt;/a&gt; &lt;a href=&quot;/title/The+register+of+Internet+forums+and+chats&quot;&gt;outlined&lt;/a&gt;. As many of these methods are private, newly developed, and/or relatively unpopular, though, research can at times be hard to find.&lt;/p&gt;
&lt;p&gt;
&lt;a href=&quot;/title/Virtual+worlds&quot;&gt;Virtual worlds&lt;/a&gt; have traditionally been used by a relatively small proportion of the Internet community, but their starkly unique context has made them a tempting focus for &lt;a href=&quot;/title/sociolinguistics&quot;&gt;sociological and linguistic studies&lt;/a&gt;. David Crystal notes the unusual syntax of text-based virtual worlds, which rely on narrative prose and imperative commands. On a completely different note, Deuel examines the linguistic qualities of sexual encounters in &lt;a href=&quot;/title/MUDs&quot;&gt;MUDs&lt;/a&gt;, or Multi-User Dungeons. More immersive forms of virtual worlds, such as the &lt;a href=&quot;/title/Second+Life&quot;&gt;Second Life&lt;/a&gt; program, have great potential&amp;hellip;</content>
</entry><entry><title>The register of Internet forums and chats (essay)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/KilroyWasHere/writeups/The+register+of+Internet+forums+and+chats"/><id>http://www.everything2.com:80/user/KilroyWasHere/writeups/The+register+of+Internet+forums+and+chats</id><author><name>KilroyWasHere</name><uri>http://www.everything2.com:80/user/KilroyWasHere</uri></author><published>2007-05-29T23:38:27Z</published><updated>2007-05-29T23:38:27Z</updated>
<content type="html">&lt;small&gt;Back to &lt;a href=&quot;/title/computer-mediated+communication&quot;&gt;computer-mediated communication&lt;/a&gt;&lt;/small&gt;&lt;p&gt;
&lt;strong&gt;The register of fora&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
Electronic fora (or &lt;a href=&quot;/title/forums&quot;&gt;forums&lt;/a&gt;) date back to &lt;a href=&quot;/title/USENET&quot;&gt;USENET&lt;/a&gt; and the earliest days of the &lt;a href=&quot;/title/Language+and+the+Internet&quot;&gt;Internet&lt;/a&gt;, but have not been quite as thoroughly examined as other, equally popular &lt;a href=&quot;/title/computer-mediated+communication&quot;&gt;CMC registers&lt;/a&gt;. Nevertheless, their public, &lt;a href=&quot;/title/asynchronous&quot;&gt;asynchronous&lt;/a&gt; nature has led them to be the topic of various &lt;a href=&quot;/title/sociolinguistics&quot;&gt;linguistic studies&lt;/a&gt;.
&lt;/p&gt;
&lt;p&gt;
Like email, fora 'posts' or 'entries' have a subject line; however, the linguistic rules governing how this line is used differ greatly from email. &lt;a href=&quot;/title/Gricean+maxims&quot;&gt;Grice's maxim&lt;/a&gt; of Quantity is still followed, but instead of necessarily being as accurate and unambiguous as possible, fora subject lines tend to be more &quot;idiosyncratic&quot; and &quot;&lt;a href=&quot;/title/playful&quot;&gt;ludic&lt;/a&gt;&quot;, adopting an almost journalistic style to attract readers.* As with &lt;a href=&quot;/title/Language+and+e-mail&quot;&gt;non-listserv email&lt;/a&gt;, the wide range of fields and tenors that fora can cover make it&amp;hellip;</content>
</entry><entry><title>The Officers of Di-Phi: A Sestina (poetry)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/KilroyWasHere/writeups/The+Officers+of+Di-Phi%253A+A+Sestina"/><id>http://www.everything2.com:80/user/KilroyWasHere/writeups/The+Officers+of+Di-Phi%253A+A+Sestina</id><author><name>KilroyWasHere</name><uri>http://www.everything2.com:80/user/KilroyWasHere</uri></author><published>2007-05-29T23:16:29Z</published><updated>2007-05-29T23:16:29Z</updated>
<content type="html">(&lt;em&gt;Written for the&lt;/em&gt; White and Blue&lt;em&gt;, Di-Phi's annual literary magazine.&lt;/em&gt;)
&lt;p&gt;
The highest office in &lt;a href=&quot;/title/The+Dialectic+and+Philanthropic+Societies&quot;&gt;Di-Phi&lt;/a&gt; is the Joint Senate &lt;a href=&quot;/title/President&quot;&gt;President&lt;/a&gt;;&lt;br&gt;
he (or she) runs the weekly meetings, though the President Pro Tempore&lt;br&gt;
will take his place if he's absent. Both rank higher than the &lt;a href=&quot;/title/Critic&quot;&gt;Critic&lt;/a&gt;,&lt;br&gt;
(who's in charge of each week's topic of debate), who in turn outranks the &lt;a href=&quot;/title/Clerk&quot;&gt;Clerk&lt;/a&gt;.&lt;br&gt;
He records minutes for each meeting in the Di Chambers, where the &lt;a href=&quot;/title/Sergeant-at-Arms&quot;&gt;Sergeant-at-Arms&lt;/a&gt;&lt;br&gt;
sits, ready to expel Senators, though he really only outranks the &lt;a href=&quot;/title/Historian&quot;&gt;Historian&lt;/a&gt;.
&lt;/p&gt;
&lt;p&gt;
Of course, any Senator worth their pin could tell you that the Historian,&lt;br&gt;
Clerk, and whoever else never really use their rank per se; all that matters is that the President&lt;br&gt;
has &lt;a href=&quot;/title/chair&quot;&gt;chief authority&lt;/a&gt; in the Di and Phi Chambers, caretaken by the Sergeant-at-Arms.&lt;br&gt;
Even the President, though, is legally bound by the &lt;a href=&quot;/title/Constitution&quot;&gt;Constitution&lt;/a&gt; and By-Laws, which the&amp;hellip;</content>
</entry><entry><title>The Dialectic and Philanthropic Societies (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/KilroyWasHere/writeups/The+Dialectic+and+Philanthropic+Societies"/><id>http://www.everything2.com:80/user/KilroyWasHere/writeups/The+Dialectic+and+Philanthropic+Societies</id><author><name>KilroyWasHere</name><uri>http://www.everything2.com:80/user/KilroyWasHere</uri></author><published>2007-05-29T23:15:26Z</published><updated>2007-05-29T23:15:26Z</updated>
<content type="html">&lt;blockquote&gt;
&quot;My God, how they talked!&quot;&lt;br&gt;
&lt;a href=&quot;/title/Thomas+Wolfe&quot;&gt;Thomas Wolfe&lt;/a&gt;, &lt;em&gt;&lt;a href=&quot;/title/Look+Homeward%252C+Angel&quot;&gt;Look Homeward, Angel&lt;/a&gt;&lt;/em&gt;
&lt;/blockquote&gt;
&lt;p&gt;
The debate and literary societies of the &lt;a href=&quot;/title/UNC&quot;&gt;University of North Carolina at Chapel Hill&lt;/a&gt;. Think of it, if you will, as a cross between a fairly tame &lt;a href=&quot;/title/fraternity&quot;&gt;fraternity&lt;/a&gt; and a &lt;a href=&quot;/title/Model+UN&quot;&gt;Model UN&lt;/a&gt; club. Except cooler.
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;History&lt;/strong&gt;
&lt;/p&gt;
&lt;p&gt;
The Dialectic Society was founded in &lt;a href=&quot;/title/1795&quot;&gt;1795&lt;/a&gt;, the first year of UNC's operation, as a literary society in the same vein as &lt;a href=&quot;/title/Princeton&quot;&gt;Princeton&lt;/a&gt;'s &lt;a href=&quot;/title/Whig-Cliosophics&quot;&gt;Whig-Cliosophics&lt;/a&gt; and &lt;a href=&quot;/title/Columbia&quot;&gt;Columbia&lt;/a&gt;'s &lt;a href=&quot;/title/Philodemics&quot;&gt;Philodemics&lt;/a&gt;. Such organizations were a primary means of socialization between students at the time, as extracurricular activities were few (particularly in &lt;a href=&quot;/title/Chapel+Hill%252C+North+Carolina&quot;&gt;Chapel Hill&lt;/a&gt;, a city essentially built around the university). With the higher education system of 18th-century America more focused on memorization and &lt;a href=&quot;/title/recitation&quot;&gt;recitation&lt;/a&gt; than expressing original ideas, these groups were also critical fora for students to employ their &lt;a href=&quot;/title/rhetoric&quot;&gt;rhetoric&lt;/a&gt; and debate skills.&amp;hellip;</content>
</entry><entry><title>Language and e-mail (essay)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/KilroyWasHere/writeups/Language+and+e-mail"/><id>http://www.everything2.com:80/user/KilroyWasHere/writeups/Language+and+e-mail</id><author><name>KilroyWasHere</name><uri>http://www.everything2.com:80/user/KilroyWasHere</uri></author><published>2007-05-28T20:08:31Z</published><updated>2007-05-28T20:08:31Z</updated>
<content type="html">&lt;small&gt;Back to &lt;a href=&quot;/title/computer-mediated+communication&quot;&gt;computer-mediated communication&lt;/a&gt;&lt;/small&gt;
&lt;p&gt;One of the most commonly studied &lt;a href=&quot;/title/register&quot;&gt;register&lt;/a&gt;s in &lt;a href=&quot;/title/computer-mediated+communication&quot;&gt;CMC&lt;/a&gt; has been that of electronic mail, or '&lt;a href=&quot;/title/email&quot;&gt;email&lt;/a&gt;'. It is, in many ways, a register that is the most similar to regular writing: it is fairly &lt;a href=&quot;/title/asynchronous&quot;&gt;asynchronous&lt;/a&gt;, static and &quot;long-term in character&quot;, and used more often for the sharing of &lt;a href=&quot;/title/Presidential+IQ+hoax+e-mail&quot;&gt;factual information&lt;/a&gt; rather than socialization. Nevertheless, its unique combination of &lt;a href=&quot;/title/field&quot;&gt;field&lt;/a&gt; (topic the medium is used for) and &lt;a href=&quot;/title/tenor&quot;&gt;tenor&lt;/a&gt; (relationship between the medium's participants) combine to give it a fairly distinct register.*&lt;/p&gt;

&lt;p&gt;All emails have a set space for a header or &lt;a href=&quot;/title/subject+line&quot;&gt;subject line&lt;/a&gt;. This line, as it is meant to be an indicator of the email's main content, is unusually obeyant of &lt;a href=&quot;/title/H.P.+Grice&quot;&gt;H.P. Grice&lt;/a&gt;'s &lt;a href=&quot;/title/Gricean+maxims&quot;&gt;maxims of conversation&lt;/a&gt;. Messages that violate the maxims of Quality (e.g. &lt;a href=&quot;/title/spammer&quot;&gt;spam emails&lt;/a&gt; with misleading subjects), Quantity (blank subject lines are frowned upon; lengthy&amp;hellip;</content>
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