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    <title>Snicker Furfoot's New Writeups</title>
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    <updated>2003-02-11T18:36:56Z</updated>
<entry><title>Declaration on Iraq by Russia, Germany and France (idea)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Declaration+on+Iraq+by+Russia%252C+Germany+and+France"/><id>http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Declaration+on+Iraq+by+Russia%252C+Germany+and+France</id><author><name>Snicker Furfoot</name><uri>http://www.everything2.com:80/user/Snicker Furfoot</uri></author><published>2003-02-11T18:36:56Z</published><updated>2003-02-11T18:36:56Z</updated>
<content type="html">There are two important things to note here.  First of all, this is the first time &lt;a href=&quot;/title/France&quot;&gt;France&lt;/a&gt; and &lt;a href=&quot;/title/Russia&quot;&gt;Russia&lt;/a&gt; (traditionally enemies on the political battlefield) have come down in agreement on something against the &lt;a href=&quot;/title/United+States&quot;&gt;United States&lt;/a&gt;.  This points towards the growing rift in the &lt;a href=&quot;/title/United+Nations&quot;&gt;UN&lt;/a&gt;, between those that support the &lt;a href=&quot;/title/United+States&quot;&gt;US&lt;/a&gt; and those that do not.  This rift is causing major ripples in the European Union, and making everyone consider the very real possibility of another &lt;a href=&quot;/title/World+War&quot;&gt;World War&lt;/a&gt;.
&lt;p&gt;
The other thing to note is the fact that France is saying this, while all the while preparing for their own war in the &lt;a href=&quot;/title/Ivory+Coast&quot;&gt;Ivory Coast&lt;/a&gt;.  Is it possible that France is not ready to defend itself if it needs to?
&lt;p&gt;
What is not being said is that which is lurking behind everyone's words and thoughts:  What will happen if the &lt;a href=&quot;/title/United+States&quot;&gt;United States&lt;/a&gt; proceeds with this action, and others step up in support of &lt;a href=&quot;/title/Iraq&quot;&gt;Iraq&lt;/a&gt;?  Is the United States prepared to deal with an attack on multiple fronts against fresh, prepared units,&amp;hellip;</content>
</entry><entry><title>Angus Oblong (person)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Angus+Oblong"/><id>http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Angus+Oblong</id><author><name>Snicker Furfoot</name><uri>http://www.everything2.com:80/user/Snicker Furfoot</uri></author><published>2003-02-08T01:46:05Z</published><updated>2003-02-08T01:46:05Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;big&gt;&lt;b&gt;&lt;a href=&quot;/title/Artist&quot;&gt;Artist&lt;/a&gt;, &lt;a href=&quot;/title/author&quot;&gt;author&lt;/a&gt;, &lt;a href=&quot;/title/freak&quot;&gt;freak&lt;/a&gt;&lt;/b&gt;&lt;/big&gt;&lt;/p&gt;  If anyone could be summed up  in those three words, it's &lt;a href=&quot;/title/Angus+Oblong&quot;&gt;Angus Oblong&lt;/a&gt;.  Nearly 30 now, and living somewhere in &lt;a href=&quot;/title/California&quot;&gt;California&lt;/a&gt;, Angus (not his real name), is as &lt;a href=&quot;/title/weird&quot;&gt;weird&lt;/a&gt; as you can find outside of &lt;a href=&quot;/title/David+Lynch&quot;&gt;David Lynch&lt;/a&gt; film festival.  Although compared to &lt;a href=&quot;/title/Edward+Gorey&quot;&gt;Edward Gorey&lt;/a&gt;, &lt;a href=&quot;/title/Tim+Burton&quot;&gt;Tim Burton&lt;/a&gt; and the creators of &lt;a href=&quot;/title/South+Park&quot;&gt;South Park&lt;/a&gt;, Angus has his own unique flavour - somewhere between the sickly sweet of a moldy piece of bread left under the fridge for several weeks, and the rancid smell of &lt;a href=&quot;/title/mayonaise&quot;&gt;mayonaise&lt;/a&gt; 4 months out of date.  His art is not to be looked at and judged - but to be experienced.
&lt;p align=&quot;right&quot;&gt;&lt;i&gt;&quot;There's actually nothing risque about the characters. Limbless or conjoined people are a fact of life and shouldn't be hidden and denied as humans but rather they should be put on little stages dressed funny and pointed at.&quot;&lt;/i&gt;&lt;br&gt;--Angus Oblong&lt;/p&gt;
&lt;p&gt;
Chief among his recognizable works is the short-lived animated series, &lt;a href=&quot;/title/The+Oblongs&quot;&gt;The Oblongs&lt;/a&gt;, which follows the&amp;hellip;</content>
</entry><entry><title>Once you have tasted flight: In defense of manned space travel (idea)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Once+you+have+tasted+flight%253A+In+defense+of+manned+space+travel"/><id>http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Once+you+have+tasted+flight%253A+In+defense+of+manned+space+travel</id><author><name>Snicker Furfoot</name><uri>http://www.everything2.com:80/user/Snicker Furfoot</uri></author><published>2003-02-07T15:21:35Z</published><updated>2003-02-07T15:21:35Z</updated>
<content type="html">&lt;a href=&quot;/title/Dunces+who+waste+and+lie%253A+An+attack+on+NASA%2527s+manned+space+travel&quot;&gt;In another node&lt;/a&gt;, robwicks is correct in the numerical estimation (&lt;a href=&quot;/title/NASA&quot;&gt;NASA&lt;/a&gt; does routinely go way over budget), however NASA is also exploring a largely &lt;a href=&quot;/title/Space%252C+the+Final+Frontier&quot;&gt;unknown environment&lt;/a&gt;, and it's difficult to anticipate the costs of the unknown.  Before demanding the dissolution of our one and only agency dedicated to &lt;a href=&quot;/title/Starfleet&quot;&gt;space exploration&lt;/a&gt;, it's important to note that the private sector has already become involved, and, unfortunately, is still unable to succeed.  (Witness the most recent of failures, the &lt;a href=&quot;/title/Delta+Clipper&quot;&gt;Delta Clipper&lt;/a&gt; - a single-stage &lt;a href=&quot;/title/VTOL&quot;&gt;VTOL&lt;/a&gt; that tipped over, exploded and burned.)  Until such time as the private sector can reproduce the inventive genius of the &lt;a href=&quot;/title/Wright+Brothers&quot;&gt;Wright Brothers&lt;/a&gt;, the government must remain involved.
&lt;p&gt;
We are all saddened by the loss of the &lt;a href=&quot;/title/Space+Shuttle+Columbia&quot;&gt;Space Shuttle Columbia&lt;/a&gt; and her crew, and some of us still remember &lt;a href=&quot;/title/Space+Shuttle+Challenger&quot;&gt;Challenger&lt;/a&gt;.  Fewer still remember the names&amp;hellip;</content>
</entry><entry><title>You Okay Honey? (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/Snicker+Furfoot/writeups/You+Okay+Honey%253F"/><id>http://www.everything2.com:80/user/Snicker+Furfoot/writeups/You+Okay+Honey%253F</id><author><name>Snicker Furfoot</name><uri>http://www.everything2.com:80/user/Snicker Furfoot</uri></author><published>2003-01-24T01:56:42Z</published><updated>2003-01-24T01:56:42Z</updated>
<content type="html">Fifth song in the first act of &lt;a href=&quot;/title/Jonathan+Larson&quot;&gt;Jonathan Larson&lt;/a&gt;'s 1995 musical &lt;a href=&quot;/title/RENT&quot;&gt;RENT&lt;/a&gt;. After the powerful explosion of music of &lt;a href=&quot;/title/RENT&quot;&gt;RENT&lt;/a&gt;, the simplicity of the piano music and beatnik-style jazz in this piece is a classic example of the &lt;a href=&quot;/title/juxtaposition&quot;&gt;juxtaposition&lt;/a&gt; of sounds and styles prevalent throughout the production.  Here we are introduced formally to &lt;a href=&quot;/title/ANGEL+SCHUNARD&quot;&gt;ANGEL SCHUNARD&lt;/a&gt;, a beautiful &lt;a href=&quot;/title/transvestite&quot;&gt;transvestite&lt;/a&gt; whom &lt;a href=&quot;/title/TOM+COLLINS&quot;&gt;TOM COLLINS&lt;/a&gt; instantly finds himself attracted to.  The focus begins on a homeless man, singing, apparently, to the audience, who represent &quot;the world&quot;.  A very simple, &lt;a href=&quot;/title/Christmas&quot;&gt;Christmas&lt;/a&gt;-like tune plays on the piano.&lt;p&gt;
&lt;i&gt;Due to copyright restrictions, the lyrics have been removed.&lt;/i&gt;
&lt;p&gt;
After the homeless man's poignant declaration that Christmas is happening somewhere else, Angel finds Tom lying in the gutter, beaten and bleeding.  As &lt;a href=&quot;/title/he&quot;&gt;she&lt;/a&gt; comforts him, they discover an instant attraction to one another, and Angel announces that Tom will be accompanying &lt;a href=&quot;/title/him&quot;&gt;her&lt;/a&gt; to a &lt;a href=&quot;/title/life+support+meeting&quot;&gt;life support meeting&lt;/a&gt;.  Rather bluntly she states that she&amp;hellip;</content>
</entry><entry><title>Al Hirschfeld (person)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Al+Hirschfeld"/><id>http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Al+Hirschfeld</id><author><name>Snicker Furfoot</name><uri>http://www.everything2.com:80/user/Snicker Furfoot</uri></author><published>2003-01-23T18:51:27Z</published><updated>2003-01-23T18:51:27Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;&lt;big&gt;&lt;big&gt;&quot;He Drew Broadway&quot;&lt;/big&gt;&lt;/big&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
&lt;p ALIGN=&quot;right&quot;&gt;&lt;i&gt;&quot;All I know is that when it works, I'm aware of it. But how it's accomplished, I don't know.&quot;&lt;/i&gt;&lt;br&gt; - Al Hirschfeld, of his own work.&lt;/p&gt;
&lt;p&gt;
B. June 21, 1903.  D. January 21, 2003. - A masterful American &lt;a href=&quot;/title/caricature&quot;&gt;caricaturist&lt;/a&gt;, known for his simple, yet elegant sketches of &lt;a href=&quot;/title/Hollywood&quot;&gt;Hollywood&lt;/a&gt; and &lt;a href=&quot;/title/Broadway&quot;&gt;Broadway&lt;/a&gt; stars.  It was often said that you still hadn't &lt;a href=&quot;/title/become+a+star&quot;&gt;made it&lt;/a&gt; if Hirshfeld hadn't &lt;a href=&quot;/title/drawn&quot;&gt;drawn&lt;/a&gt; you yet.  He worked for longer than most people live, and while his death marks the end of &lt;a href=&quot;/title/superstar&quot;&gt;an amazing career&lt;/a&gt;, his art will continue to amaze and amuse for generations to come.
&lt;p&gt;
Al was born on the first day of summer in &lt;a href=&quot;/title/St.+Louis%252C+Missouri&quot;&gt;St. Louis, Missouri&lt;/a&gt;, and it wasn't long before his talents were recognized.  Before his twelfth birthday, his art teacher happily informed his parents, &quot;there is nothing more we can teach him here.&quot;  They soon found themselves in &lt;a href=&quot;/title/New+York+City&quot;&gt;New York City&lt;/a&gt;, where Al attended the&amp;hellip;</content>
</entry><entry><title>Tune Up #2 (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Tune+Up+%25232"/><id>http://www.everything2.com:80/user/Snicker+Furfoot/writeups/Tune+Up+%25232</id><author><name>Snicker Furfoot</name><uri>http://www.everything2.com:80/user/Snicker Furfoot</uri></author><published>2003-01-16T19:46:25Z</published><updated>2003-01-16T19:46:25Z</updated>
<content type="html">Third song in the first act of &lt;a href=&quot;/title/Jonathan+Larson&quot;&gt;Jonathan Larson&lt;/a&gt;'s 1995 musical &lt;a href=&quot;/title/RENT&quot;&gt;RENT&lt;/a&gt;. As the focus returns to MARK and ROGER, Roger continues tuning his &lt;a href=&quot;/title/guitar&quot;&gt;guitar&lt;/a&gt;, the repetitious notes punctuating events as we meet the new characters, TOM COLLINS, former &lt;a href=&quot;/title/roommate&quot;&gt;roommate&lt;/a&gt; and &lt;a href=&quot;/title/true+friend&quot;&gt;true friend&lt;/a&gt;, and BENJAMIN COFFIN III, former roommate, and now &quot;&lt;a href=&quot;/title/evil&quot;&gt;evil&lt;/a&gt;&quot; &lt;a href=&quot;/title/landlord&quot;&gt;landlord&lt;/a&gt; - the &quot;&lt;a href=&quot;/title/Snidely+Whiplash&quot;&gt;villain&lt;/a&gt; of &lt;a href=&quot;/title/RENT&quot;&gt;RENT&lt;/a&gt;.  He's not evil, per se, he just has goals that the others are getting in the way of.  In this respect, Benny appears to fill the role of the &lt;a href=&quot;/title/Villain&quot;&gt;Villain&lt;/a&gt; in the classic 30 second &lt;a href=&quot;/title/melodrama&quot;&gt;melodrama&lt;/a&gt;, &lt;a href=&quot;/title/Rent&quot;&gt;Rent&lt;/a&gt;.  As with the previous pieces, this is done in &lt;a href=&quot;/title/singsong&quot;&gt;singsong&lt;/a&gt; voices, while Mark films and Roger tunes.

&lt;i&gt;Due to copyright restrictions, the lyrics have been removed.&lt;/i&gt;&lt;p&gt;
As Mark begins to film, he asks Roger what he's doing, and Roger replies that he's writing one great song, when the phone rings.  He doesn't seem to annoyed, in fact, Roger is still not very confident, and really doesn't want to be on &lt;a href=&quot;/title/camera&quot;&gt;camera&lt;/a&gt;.  He's thankful&amp;hellip;</content>
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