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    <title>mofaha's New Writeups</title>
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    <updated>2006-11-21T08:49:33Z</updated>
<entry><title>Cloud Atlas (idea)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/mofaha/writeups/Cloud+Atlas"/><id>http://www.everything2.com:80/user/mofaha/writeups/Cloud+Atlas</id><author><name>mofaha</name><uri>http://www.everything2.com:80/user/mofaha</uri></author><published>2006-11-21T08:49:33Z</published><updated>2006-11-21T08:49:33Z</updated>
<content type="html">&lt;p&gt;I'm reading The Pacific Journal of Adam Ewing, a work of fiction based in part upon historic events, which is written in the period style and language of the &lt;a href=&quot;/title/narrator&quot;&gt;narrator&lt;/a&gt;. I'm usually uncomfortable with this sort of thing. In my experience attempts to reproduce historical styles or &lt;a href=&quot;/title/dialect&quot;&gt;dialect&lt;/a&gt;s are too often a distraction, an affectation which seeks to add 'flavour' to the tale but in reality does little to add true depth or believability to the writing. The characters themselves are often just &lt;a href=&quot;/title/caricature&quot;&gt;caricature&lt;/a&gt;s, or clumsy and one-dimensional embodiments of historical &lt;a href=&quot;/title/movement&quot;&gt;movement&lt;/a&gt;s or trends. But this story is very different.
 
&lt;p&gt;Adam Ewing is a &lt;a href=&quot;/title/California&quot;&gt;California&lt;/a&gt;n writing around 1850, and Mitchell does a superb job of catching not just the written mannerisms of the time, but also the mindset of the fictional author. Ewing is no mere caricature, and far from being simply a &lt;a href=&quot;/title/mouthpiece&quot;&gt;mouthpiece&lt;/a&gt; for the prevalent beliefs and assumptions of his time he is informed by his own unique understanding and &lt;a href=&quot;/title/humanity&quot;&gt;humanity&lt;/a&gt;. There is, in&amp;hellip;</content>
</entry><entry><title>jugged hare (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/mofaha/writeups/jugged+hare"/><id>http://www.everything2.com:80/user/mofaha/writeups/jugged+hare</id><author><name>mofaha</name><uri>http://www.everything2.com:80/user/mofaha</uri></author><published>2002-11-13T02:19:14Z</published><updated>2002-11-13T02:19:14Z</updated>
<content type="html">&lt;p&gt;As the name suggests, this very old (1700s) &lt;a href=&quot;/title/British&quot;&gt;British&lt;/a&gt; recipe traditionally calls for &lt;a href=&quot;/title/hare&quot;&gt;hare&lt;/a&gt;,
although at least one version I've found states that &quot;other &lt;a href=&quot;/title/game&quot;&gt;game&lt;/a&gt; can be used in this dish,
but remember that whatever it is it should be hung for some days in a cool room prior to
cooking.&quot;&lt;small&gt;&lt;sup&gt;(1)&lt;/sup&gt;&lt;/small&gt; I think it's fair to say that the really important
principle here is the hanging, since any small animal which has been
killed and then hung on a nail for a few days after its demise will quickly
&lt;a href=&quot;/title/rot&quot;&gt;acquire a distinctive 'gamey' flavour&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;To clear up any uncertainty early on: a hare is very much like a &lt;a href=&quot;/title/rabbit&quot;&gt;rabbit&lt;/a&gt;, with the
essential difference that it's not one. The term 'jugged' refers to the fact that the
ingredients are &quot;combined in a &lt;a href=&quot;/title/casserole&quot;&gt;casserole&lt;/a&gt; (traditionally a heatproof crock or jug).
&quot;&lt;small&gt;&lt;sup&gt;(2)&lt;/sup&gt;&lt;/small&gt;&lt;/p&gt;
&lt;p&gt; &amp;nbsp;&lt;/p&gt;
&lt;p&gt;Ok, let's look at the ingredients. We'll be making enough here for your 4 worst enemies.&lt;/p&gt;

&lt;h3&gt;Ingredients&lt;/h3&gt;

&lt;p&gt;
&lt;ul&gt;

&lt;li&gt;&lt;/li&gt;&lt;/ul&gt;&amp;hellip;</content>
</entry><entry><title>Monkeys Versus Donkeys (idea)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/mofaha/writeups/Monkeys+Versus+Donkeys"/><id>http://www.everything2.com:80/user/mofaha/writeups/Monkeys+Versus+Donkeys</id><author><name>mofaha</name><uri>http://www.everything2.com:80/user/mofaha</uri></author><published>2002-04-15T21:54:47Z</published><updated>2002-04-15T21:54:47Z</updated>
<content type="html">&lt;a href=&quot;/title/Monkey&quot;&gt;Monkey&lt;/a&gt;s &lt;a href=&quot;/title/Versus&quot;&gt;Versus&lt;/a&gt; &lt;a href=&quot;/title/Donkey&quot;&gt;Donkey&lt;/a&gt;s is a song by Larry 'Wild Man' Fischer. It comes from the 1968 &lt;a href=&quot;/title/album&quot;&gt;album&lt;/a&gt; &lt;a href=&quot;/title/An+Evening+With+Wild+Man+Fischer&quot;&gt;An Evening With Wild Man Fischer&lt;/a&gt;, which was produced by none other than &lt;a href=&quot;/title/Frank+Zappa&quot;&gt;Frank Zappa&lt;/a&gt;. As far as I've been able to ascertain, the two met when Frank was approached by Larry on &lt;a href=&quot;/title/West+Hollywood&quot;&gt;West Hollywood&lt;/a&gt;'s &lt;a href=&quot;/title/Sunset+Strip&quot;&gt;Sunset Strip&lt;/a&gt;. Larry's gig in those days was to approach passers-by and offer to 'sell' them a performance of one of his songs for a dime. Given the nature of those songs, I seriously doubt that he had to sing more than a couple of lines to most of his astonished &lt;a href=&quot;/title/victim&quot;&gt;customer&lt;/a&gt;s before they were &lt;a href=&quot;/title/afraid&quot;&gt;satisfied&lt;/a&gt;.
&lt;p&gt;&lt;b&gt;
Ba ba-ba ba ba, ba ba-ba ba ba&lt;br&gt;
Ba ba-ba ba ba bow&lt;br&gt;
Ba ba-ba ba ba, ba ba-ba ba ba&lt;br&gt;
Ba ba-ba ba ba baaa&lt;br&gt;
Ba BAW ba-ba-ba ba-ba ba-ba-ba!&lt;br&gt;
Er eh-eh er eh-eh er er!&lt;/b&gt;
&lt;p&gt;
Frank and Larry met around the same time that Zappa would have been working on his album &lt;a href=&quot;/title/We%2527re+Only+In+It+For+The+Money&quot;&gt;We're Only In It For The Money&lt;/a&gt;, which is basically a sustained and vicious attack on pretty much everything that&amp;hellip;</content>
</entry><entry><title>Tonsil cheese (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/mofaha/writeups/Tonsil+cheese"/><id>http://www.everything2.com:80/user/mofaha/writeups/Tonsil+cheese</id><author><name>mofaha</name><uri>http://www.everything2.com:80/user/mofaha</uri></author><published>2002-03-04T03:26:39Z</published><updated>2002-03-04T03:26:39Z</updated>
<content type="html">&lt;i&gt;&quot;Kirsty has a bizarre question - she has sneezed and a small white ball with a totally off-putting, disgusting scent has come out. This has  happened to her three times in the last year. What is it?&quot;&lt;/i&gt;

&lt;br&gt; &amp;nbsp;&lt;p&gt;
E2 already contains descriptions of many interesting '&lt;a href=&quot;/title/cheese&quot;&gt;cheeses&lt;/a&gt;' which are not really cheeses at all, such as &lt;a href=&quot;/title/head+cheese&quot;&gt;head&lt;/a&gt;&lt;a href=&quot;/title/smegma&quot;&gt; cheese&lt;/a&gt;, &lt;a href=&quot;/title/neck+cheese&quot;&gt;neck cheese&lt;/a&gt;, and &lt;a href=&quot;/title/adipocere&quot;&gt;corpse cheese&lt;/a&gt;. Here's another one to add to the list.

&lt;p&gt;
Tonsil cheese is formed in folds and wrinkles (known as '&lt;a href=&quot;/title/crypt&quot;&gt;crypt&lt;/a&gt;s') of the &lt;a href=&quot;/title/tonsil&quot;&gt;tonsil&lt;/a&gt;s. There is some debate about its actual makeup; it is most often claimed to be composed of a buildup of &lt;a href=&quot;/title/bacteria&quot;&gt;bacteria&lt;/a&gt; and &lt;a href=&quot;/title/cell&quot;&gt;cell&lt;/a&gt; &lt;a href=&quot;/title/debris&quot;&gt;debris&lt;/a&gt;. Other theories suggest that it is composed of trapped food that has rotted, that it is a buildup of solidified &lt;a href=&quot;/title/mucus&quot;&gt;mucus&lt;/a&gt;, or that it is a ball of dried-out &lt;a href=&quot;/title/pus&quot;&gt;pus&lt;/a&gt; formed at the site of an infection.

&lt;p&gt;
Despite the disagreements regarding its exact composition, there is broad agreement on the following facts:

&lt;p&gt;
Tonsil&amp;hellip;</content>
</entry><entry><title>&amp;#64; (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/mofaha/writeups/%2526%252364%253B"/><id>http://www.everything2.com:80/user/mofaha/writeups/%2526%252364%253B</id><author><name>mofaha</name><uri>http://www.everything2.com:80/user/mofaha</uri></author><published>2001-11-24T04:31:35Z</published><updated>2001-11-24T04:31:35Z</updated>
<content type="html">&lt;p&gt;
&lt;b&gt;@ brief history&lt;/b&gt;
&lt;p&gt;
Probably the most obvious and familiar use of this &lt;a href=&quot;/title/symbol&quot;&gt;symbol&lt;/a&gt; is as an &lt;a href=&quot;/title/e-mail&quot;&gt;e-mail&lt;/a&gt; separator, and as such it has been in use since it was chosen by &lt;a href=&quot;/title/Ray+Tomlinson&quot;&gt;Ray Tomlinson&lt;/a&gt; in 1972. Its use in &lt;a href=&quot;/title/business&quot;&gt;business&lt;/a&gt;, however, is somewhat more established.
&lt;p&gt;
Its first recorded use dates back nearly 500 years, when it was used by &lt;a href=&quot;/title/Florentine&quot;&gt;Florentine&lt;/a&gt; merchants to represent an &lt;a href=&quot;/title/amphora&quot;&gt;amphora&lt;/a&gt;, a measure based on the capacity of the standard &lt;a href=&quot;/title/terracotta&quot;&gt;terracotta&lt;/a&gt; jars that were used at that time to transport grain and liquid. The sign for it was the letter 'a', &lt;a href=&quot;/title/embellish&quot;&gt;embellish&lt;/a&gt;ed in the typical manner of Florentine script.
&lt;p&gt;
This symbol was later adopted in Northern &lt;a href=&quot;/title/Europe&quot;&gt;Europe&lt;/a&gt; with the (still-familiar) meaning &lt;i&gt;'at the price of'&lt;/i&gt;. It was due to this usage that it was included on early &lt;a href=&quot;/title/typewriter&quot;&gt;typewriter&lt;/a&gt; &lt;a href=&quot;/title/keyboard&quot;&gt;keyboard&lt;/a&gt;s (from around 1880 onwards). Its continued use was reflected in the fact that it was included in the list of standard &lt;a href=&quot;/title/ASCII&quot;&gt;ASCII&lt;/a&gt; &lt;a href=&quot;/title/character&quot;&gt;character&lt;/a&gt;s in the 1960's. Due to its &lt;a href=&quot;/title/ubiquitous&quot;&gt;ubiquitous&lt;/a&gt; use in e-mail addresses,  its use now&amp;hellip;</content>
</entry><entry><title>Adipocere (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.com:80/user/mofaha/writeups/Adipocere"/><id>http://www.everything2.com:80/user/mofaha/writeups/Adipocere</id><author><name>mofaha</name><uri>http://www.everything2.com:80/user/mofaha</uri></author><published>2001-10-02T19:36:05Z</published><updated>2001-10-02T19:36:05Z</updated>
<content type="html">Also known as &lt;b&gt;grave wax&lt;/b&gt;, &lt;b&gt;mortuary fat&lt;/b&gt;, and &lt;b&gt;corpse cheese&lt;/b&gt;, adipocere is a &lt;a href=&quot;/title/soap&quot;&gt;soap-like&lt;/a&gt; or &lt;a href=&quot;/title/wax&quot;&gt;waxy&lt;/a&gt; substance formed from the &lt;a href=&quot;/title/fat&quot;&gt;fat&lt;/a&gt; and &lt;a href=&quot;/title/soft+tissue&quot;&gt;soft tissue&lt;/a&gt; of human or animal remains after &lt;a href=&quot;/title/interment&quot;&gt;interment&lt;/a&gt;. Adipocere is most commonly produced in &lt;a href=&quot;/title/waterlogged&quot;&gt;waterlogged&lt;/a&gt; burials and on the bodies of drowning victims, although it can also form in the presence of less moisture; thus, there are generally two types of adipocere, known respectively as 'wet' and 'dry'.
&lt;p&gt;
Adipocere can be anywhere between creamy off-white and brown in colour, and varies in consistency from slimy like old wet soap to solid like &lt;a href=&quot;/title/candle+wax&quot;&gt;candle wax&lt;/a&gt;. When heat is applied to it, it generally behaves exactly as wax does: it first becomes &lt;a href=&quot;/title/pliable&quot;&gt;pliable&lt;/a&gt;, and eventually clarifies and  melts. In its initial stages of formation it smells of &lt;a href=&quot;/title/ammonia&quot;&gt;ammonia&lt;/a&gt;, but in later stages the odour can be anywhere between sweet and &lt;a href=&quot;/title/cheesy&quot;&gt;cheesy&lt;/a&gt;.
&lt;p&gt;
As noted above, the presence of moisture is necessary for the formation of adipocere. Absence of free &lt;a href=&quot;/title/oxygen&quot;&gt;oxygen&lt;/a&gt; and a&amp;hellip;</content>
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