Academy Awards: Scientifical and Technical Award (Technical Achievement Award)

Winners of the Scientifical and Technical Academy Award III (Technical Achievement Award). This prize (in the format of a certificate) is given for those accomplishments that contribute to the progress of the industry.

• 1998
  • Camera - Ivan Kruglak, Panavision, Inc., Takuo Miyagishima, Albert K. Saiki
  • Camera Cranes - Garrett Brown, Cablecam Systems, Industrial Light & Magic, Mechanical Concepts, Sony Pictures Imageworks, Trou Bayliss, Jerry Holway, Chris Barker, Mike Bolles, David Cornelius, Joseph Fulmer, Carlos Icinkoff, Michael Mackenzie, Udo Pampel, James Rodnunsky, Bill Schultz, Barry Walton, Bob Webber, James Webber, Bruce Wilton
  • Laboratory - Cinema Products, Eastman Kodak Company, Mike Lazaridis, National Film Board Canada, Dale Brubacher-Cressman, Research In Motion, James Bartell, Edmund M. Di Giulio, Frederick Gasoi, Dr. Carl F. Holtz, David F. Kopperl, Dr. A. Tulsi Ram, Richard C. Sehlin, Ed Zwaneveld
  • Lenses and Filters - Eastman Kodak Company, Jim Meyer, Stan Miller, Rosco Laboratories, Inc., Dr. Mitchell J. Bogdanowicz
  • Photography - James K. Branch, Remy Smith, Nasir J. Zaidi
  • Sound - Manfred N. Klemme, Donald E. Wetzel
  • Special Photographic - Thaddeus Beier, David Difrancesco, Nick Foster, Cary Phillips, Dr. Douglas R. Roble, Bala S. Manian, Thomas L. Noggle
• 1997
  • Laboratory - Rochester Institute Technology, Monique C. Fischer, Douglas W. Nishimura, James M. Reilly
  • Lenses and Filters - Jim Frazier, Iain Neil, Rick Gelbard
  • Projection - Jack Cashin, Clark F. Crites, Roger Hibbard, Larry Jacobson
  • Sound - Dan Leimeter, Robert Weitz
  • Special Photographic - Richard Chuang, Greg Hermanovic, James J. Keating, Kim Davidson, Glenn Entis, Michael Wahrman, Mark Elendt, Richard Hollander, Carl Rosendahl, Paul H. Breslin
  • Stage Operations - Philip C. Cory, Robert W. Stoker, Jr., Ucisco, Matt Sweeney, Charles E. Converse, James F. Foley, F. Edward Gardner
• 1996
  • Camera Cranes - Richard A. Prey, William N. Masten
  • Cartoon Process - National Research Council Canada, Nestor Burtnyk, Marceli Wein
  • Photography - Grant Loucks
  • Special Photographic - James Kajiya, Perry Kivolowitz, Brian Knep, Ken Perlin, Jeffery Yost, Dr. Garth A. Dickie, Craig Hayes, Timothy Kay, Christian Rouet, David Benson, Rick Sayre, Florian Kainz, Thomas Williams
• 1995
  • Camera - Cei Technology, Prazisions-Entwicklung Denz, Peter Denz, Chuck Headley, Al Jensen, Jean Messner, Hazem Nabuls
  • Laboratory - Institut National Polytechnique De Toulouse, Kodak Pathe Ctp Cine, Eclair Laboratories And Martineau Industries
  • Sound - BHP, Incorporated, Pascal Chedeville, Todd-Ao, Warner Bros. Studio Facility, John Carter, Clay Davis, James Deas
  • Special Photographic - Computer Film Company, Gary Demos, Douglas Smythe, Lincoln Hu, David Ruhoff, Dan Cameron, Douglas S. Kay, Michelle Feraud, Industrial Light And Magic
  • Stage Operations - Joe Finnegan (A.K.A. Joe Yrigoyen), David Pringle, Yan Zhong Fang
• 1994
  • [Lighting - Frieder Hochheim, Gary Swink, Dr. Joe Zhou, Don Northrop
  • Photography - Flying-Cam, Emanuel Previnaire
  • Sound - Audio Tracks, Inc., Cb Electronics, Lartec Systems, Sonosax, Todd-Ao, John B. Asman, Colin Broad, John Carter, Clay Davis, Richard Larson, Charles Pell, Stephen W. Potter, Jacques Sax
  • [Special Photographic - David A. Addleman, Computer Film Company, Mark R. Schneider, Lloyd A. Addleman, Herbert R. Jones, Christopher D. Conover, John R.B. Brown, Dr. Mike Boudry
  • Stage Operations - California Fritzen Propeller Company, B. Russell Hessey, Sturms Special Effects International, De La Mare Engineering, Inc, Vincent T. Kelton, Art Fritzen, George Jackman, Dieter Sturm
• 1993
  • Laboratory - David Degenkolb
  • Lighting - Wally Mills, Gary Nuzzi, Gary Stadler, David Johnsrud, Gustave Parada, William Blethen
  • Sound - Michael Dorrough
  • Stage Operations - Harry J. Baker
• 1992
  • Lenses and Filters - Iain Neil, Tiffen Manufacturing Corporation, Kaz Fudano, Ira Tiffen
  • Sound - Audio Rents, Incorporated, Robert R. Burton
  • Special Photographic - Tom Brigham, Douglas Smythe, The Computer Graphics Department Of Industrial Light & Magic
• 1991
  • Lenses and Filters - Dick Cavdek, Century Precision Optics, Ken Robings, Clairmont Camera, Steve Hamerski
  • Stage Operations - James Doyle, Robert W. Stoker, Jr.
• 1990
  • Film - Dr. Fred Kolb, Jr, Paul Preo
  • Laboratory - Ab Film Teknik, Kjell Hogberg, Kenneth Lund, Bengt O. Orhall, Bjorn Selin
  • Lenses and Filters - Iain Neil, Takuo Miyagishima, Panavision, Incorporated
  • Lighting - Peter Baldwin, Hydroimage, Incorporated, Dr. Paul Kiankhooy, Dedo Weigert Film Gmbh, The Lightmaker Company, Richard Mula, Pete Romano, Dedo Weigert
  • Photography - Belco Associates, Incorporated, Thomas F. Denove, William L. Blowers
  • Stage Operations - Diligent Dwarves Effects Lab, J&G Enterprises, Christopher S. Gilman, Jim Graves, Harvey Hubert Jr.
  • Systems - All-Union Cinema
• 1989
  • Sound - Magna-Tech Electronic Company
• 1988
  • Camera - Alan Gordon Enterprises Incorporated, Geoffrey H. Williamson, Wilcam, Grant Loucks
  • Laboratory - BHP, Inc., Successor To Bell & Howell Professional Equipment Division, Michael V. Chewey, Iii, Hollywood Film Company, Technical Film Systems, Bruce W. Keller, Manfred G. Michelson
  • Lenses and Filters - Isco-Optic Gmbh, Glenn M. Berggren, Dr. Antal Lisziewicz
  • [Photography - Spectra Cine, Incorporated, William L. Blowers, Nasir J. Zaidi, James K. Branch
  • Stage Operations - Trilling Resources Limited, Zeller International Limited, Emanuel Trilling, Gary Zeller
  • Systems - Paul A. Roos
• 1987
  • Camera - Norris Film Products, Tim Cook, Dan C. Norris
  • Sound - Dolby Laboratories, Inc., Ioan Allen
  • Special Photographic - John Eppolito, Jan Jacobsen, Wally Gentleman, William Mesa, Les Paul Robley, Geoffrey H. Williamson
  • Stage Operations - Industrial Light And Magic, Inc., Thaine Morris, David Pier, Tadeuz Krzanowski
• 1986
  • Laboratory - Metro-Goldwyn-Mayer Laboratories, Inc., John L. Baptista
  • Lighting - Carl E. Holmes Company, Lee Electric (Lighting) Limited, Burbank Studios, Alexander Bryce, Carl E. Holmes
  • Photography - David W. Samuelson, William B. Pollard
  • Sound - Burbank Studios, Alan Landaker, Hal Landaker
  • Special Photographic - Associates And Ferren, Oxford Scientific Films Image Quest Division, Bran Ferren, Peter D. Parks
  • Stage Operations - Matt Sweeney, Lucinda Strub
• 1985
  • Camera - Burbank Studios, Cinematography Electronics, Inc., Larry Barton, Alan Landaker
  • Cartoon Process - David W. Spencer
  • Lenses and Filters - Harrison & Harrison, Optical Engineers
• 1984
  • Camera - Preston Cinema Systems, Howard J. Preston
  • Lenses and Filters - Tiffen Manufacturing Corporation, Nat Tiffen
  • Special Photographic - Apogee, Incorporated, Robert Bealmear, Paul Burk, Jonathan Erland, Stephen Fog, Donald Trumbull
• 1983
  • Camera - Douglas Fries, John Lacey, Michael Sigrist
  • Laboratory - David J. Degenkolb, Charles L. Watson, Larry L. Langrehr, John H. Steiner
  • Lighting - Mole-Richardson Company, William G. Krokaugger
  • Sound - Ultra-Stereo Labs, Incorporated, Jack Cashin
  • Stage Operations - De La Mare Engineering, Incorporated, Elizabeth D. De La Mare
• 1982
  • Camera Cranes - Richard W. Deats, Egripment, Ed Phillips, Carlos Demattos, Matthews Studio Equipment, Incorporated, Adriaan De Rooy, Constant Tresfon
  • Projection - Christie Electric Corporation, Lavezzi Machine Works, Incorporated
  • Stage Operations - Associates And Ferren, Bran Ferren
• 1981
  • Camera - Continental Camera Systems, Inc., Oxford Scientific Films Image Quest Division, Ernst F. Nettmann, Peter D. Parks
  • Special Photographic - John Demuth, Hal Landaker, Ruxton, Ltd., Richard J. Stumpf, Universal City Studios, Daniel R. Brewer, Alan D. Landaker, Universal City Studios Production Sound Department, Bill Hogan, Bill Taylor
  • Stage Operations - Industrial Light And Magic, Incorporated, Dr. Louis Stankiewicz, H.L. Blachford, Dennis Muren, Stuart Ziff
• 1980
  • Laboratory - Bell And Howell Company, Carter Equipment Company, Andre Debrie S.A., Hollywood Film Company, Walter Hrastnik, John W. Lang, Charles J. Watson
  • Photography - Elicon, Peter A. Regla, Dan Slater
  • Projection - Lavezzi Machine Works, Incorporated, Worth Baird
  • Systems - Cinetron Computer Systems, Incorporated, Eugene Nottingham, Charles Vaughn
• 1979
  • Cartoon Process - Bruce Lyon, John Lamb
  • Laboratory - Du Art Film Laboratories, Inc., M-G-M Laboratories, Michael V. Chewey, Walter G. Eggers, Allen Hecht, Paul Kaufman, Fredrick Schlyter, Irwin Young
  • Lighting - Lowel-Light Manufacturing, Incorporated, Ross Lowell
  • Photography - Photo Research Division Of Kollmorgen Corporation
  • Projection - James S. Stanfield, Paul W. Trester
  • Special Photographic - Courier Films, Ltd., Zoran Perisic
  • Stage Operations - A.D. Flowers, Logan R. Frazee
• 1978
  • Camera Cranes - J.L. Fisher, Incorporated, Leonard Equipment Company, Production Grip Equipment Company, Leonard Chapman, James L. Fisher, Robert Stindt
  • Laboratory - Deluxe General, Inc., David J. Degenkolb, Arthur L. Ford, Fred J. Scobey
  • Lenses and Filters - Isco Optische Werke, Glenn M. Berggren, Karl Macher
  • Systems - Cine-Fi International, Kiichi Sekiguchi
• 1977
  • Camera - Astrovision Division Continental Camera Systems, Inc., Ernst Nettmann
  • Laboratory - Piclear, Inc.
  • Lighting - Osram Gmbh, Panavision, Inc., Werner Block, Dr. Bernhard Kuhl
  • Stage Operations - Panavision, Inc.
  • Systems - Eeco (Electronic Engineering Company Of California)
• 1976
  • Lenses and Filters - Glenn Berggren, Canon, Kollmorgen Corporation, Panavision Incorporated, The Carl Zeiss Company, Amptp Motion Picture And Television Research Center, Schneider Corporation, Fred Bartscher, Wilton R. Holm, Hiroshi Suzukawa
  • Photography - Photo Research Division Of Kollmorgen Corporation
• 1975
  • Laboratory - Bell & Howell, The Carter Equipment Co., Inc., Deluxe General Inc., The Hollywood Film Company, Fredrik Schlyter, Akwaklame Co., Ramtronics, David J. Degenkolb, John C. Dolan, Richard Dubois, Fred Scobey
  • Special Photographic - Lawrence W. Butler, Joseph Westheimer, Roger Banks
• 1974
  • Camera Cranes - Elemack Company, Rome, Italy
  • Stage Operations - Louis Ami
• 1973
  • Lenses and Filters - Rosco Laboratories, Inc., Todd-Ao Corporation, Richard H. Vetter
• 1972
  • Laboratory - Carter Equipment Company, Inc., Deluxe General Inc., Photo Research, A Division Of Kollmorgen Corp., Psc Technology, Inc., Acme Products Division, Ramtronics, David Degenkolb, Harry Larson, Manfred Michelson, Fred Scobey
  • Lenses and Filters - Canon, Inc., Amptp Motion Picture And Television Research Center, Ryusho Hirose, Wilton R. Holm, Jiro Mukai
  • Projection - Wil-Kin Inc., G.M. Berggren, E.H. Geissler
  • Props - 3M Company, Amptp Motion Picture And Television Research Center, Frank P. Clark, Leonard L. Olson, Philip V. Palmquist
• 1971
  • Camera - Robert D. Auguste, Cinema Products Company, Cinema Products Company
  • Laboratory - Producers Service Corporation., Consolidated Film Industries, Cinema Research Corporation, Research Products, Inc
  • Lighting - Thomas Jefferson Hutchinson, James R. Rochester, Fenton Hamilton
  • Photography - Photo Research Division Of Kollmorgen Corporation
• 1970
  • Laboratory - Eastman Kodak Company, Photo Electronics Corporation
  • Lighting - Sylvania Electric Products, Inc.
  • Sound - Electro Sound Incorporated, B.J. Losmandy
• 1969
  • Camera - Panavision Incorporated
  • Lighting - Metro-Goldwyn-Mayer Studios, Fenton Hamilton
  • Sound - Magna-Tech Electronics Co., Inc., Otto Popelka
  • Stage Operations - Universal City Studios, Inc., Robert M. Flynn, B. Russell Hessey
• 1968
  • Film - Eastman Kodak Company, Consolidated Film Industries
  • Laboratory - Consolidated Film Industries, E. Michael Meahl, Ramtronics, Roy J. Ridenour, Carl W. Hauge, Edward H. Reichard
• 1967
  • Camera - Panavision Incorporated
  • Lenses and Filters - Electro-Optical Division Of The Kollmorgen Corporation
  • Sound - Samuel Goldwyn Studio Sound Department, Waldon O. Watson, The Universal City Studio Sound Department, Fred R. Wilson
• 1966
  • Stage Operations - Panavision Incorporated
• 1964
  • Laboratory - Consolidated Film Industries, Carl W. Hauge, Edward H. Reichard, Leonard L. Sokolow
  • Lighting - Colortran Industries, Milton Forman, Richard B. Glickman, Daniel J. Pearlman
  • Photography - Nelson Tyler
  • Special Photographic - Stewart Filmscreen Corporation
  • Stage Operations - Anthony Paglia, The 20Th Century-Fox Studio Mechanical Effects Department
• 1963
  • Special Photographic - Metro-Goldwyn-Mayer Studios, A. Arnold Gillespie, Douglas G. Shearer
• 1962
  • Sound - Electro-Voice, Incorporated, Louis G. Mackenzie
• 1961
  • Laboratory - Hurletron, Inc., Electric Eye Equipment Division, Wadsworth E. Pohl, Technicolor Corporation
• 1960
  • Laboratory - Consolidated Film Industries, Robert Grubel, Carl Hauge, Edward Reichard
  • Photography - Arthur Holcomb, Petro Vlahos, Columbia Studio Camera Department
  • Stage Operations - Anthony Paglia, The 20Th Century Fox Studio Mechanical Effects Department
• 1959
  • Laboratory - Walt Disney Productions, Ub Iwerks
  • Stage Operations - Metro-Goldwyn-Mayer Studio Construction Department, Winfield Hubbard, Luther Newman, Glen Robinson, E.L. Stones
• 1958
  • Projection - General Precision Laboratory, Inc., Will Borberg
  • Stage Operations - Warner Bros. Special Effects Department, Conrad Boye, George Brown, Fred Ponedel
• 1957
  • Stage Operations - Charles E. Sutter, William B. Smith, Paramount Pictures Corporation, General Cable Corporation
• 1956
  • Camera - The Technical Departments Of Paramount Pictures Corp.
  • Laboratory - Consolidated Film Industries, Carl Hauge, Ted Hirsch, Edward Reichard
  • Photography - Daniel J. Bloomberg, John Pond, William Wade, The Engineering And Camera Departments Of Republic Studio
  • Sound - Rangertone, Inc., Richard H. Ranger
  • Special Photographic - Stewart-Trans Lux Corporation, Dr. C.R. Daily, Roy C. Stewart And Sons
  • Stage Operations - The Construction Department Of Metro-Goldwyn-Mayer Studio, The Transparency Department Of Paramount Pictures Corp.
• 1955
  • Camera Cranes - Steve Krilanovich
  • Lenses and Filters - 20Th Century-Fox Studio, Bausch & Lomb Co.
  • Lighting - 20Th Century-Fox Studio, Dave Anderson
  • Projection - Loren L. Ryder, Charles West, Henry Fracker, Paramount Studio
  • Props - Walter Jolley, Maurice Larson, R.H. Spies
  • Special Photographic - Farciot Edouart, Hal Corl, The Paramount Studio Transparency Department
• 1954
  • Photography - Photo Research Corporation, Frank Crandell, Karl Freund
  • Projection - Metro-Goldwyn-Mayer Studio Projection Department, P.C. Young