Winners of the Scientifical and Technical Academy Award II (Scientific and Engineering Award). This prize (in the format of a plaque) is given for those achievements that exhibit a high level of engineering and are important to the progress of the industry.

• 1998
  • Camera - Arnold & Richter Cine Technik, Arri Usa, Inc.
  • Camera Cranes - Mark Roberts, Sorensen Designs International, Ronan Carroll, Donald Trumbull, Assaff Rawner, Paul Bartlett, Simon Wakley, Richard Alexander, Michael Sorensen
  • Laboratory - Deluxe Laboratories, Eastman Kodak Company, Fred M. Fuss, Hans Leisinger, Colin Mossman, Thomas F. Powers, George John Rowland, Ronald E. Uhlig
  • Lenses and Filters - Arnold & Richter Cine Technik, Iain Neil, Takuo Miyagishima, The Carl Zeiss Company, Panavision, Incorporated
  • Lighting - K-Tec Corporation, Optex, Stephen J. Kay, Derek C. Lightbody
  • Sound - James A. Moorer, Robert Predovich, Dr. Thomas G. Stockham, Robert B. Ingebretsen, John Scott, Mohamed Ken T. Husain, Cameron Shearer
  • Special Photographic - Dominique Boisvert, Roy B. Ference, Gary Tregaski, Philippe Panzini, Steven R. Schmidt, Richard J. Federico, Andre Leblanc, Rockwell Yarid, Michael E. Mccrackan
• 1997
  • Camera - Cei Technology, Chuck Headley, Al Jensen, Jean Messner, Hazem Nabuls
  • Sound - Kirk Handley, Ray Meluch, Scott Robinson, Wilson H. Allen, John Neary
  • Special Photographic - Dominique Boisvert, John Gibson, William Kovacs, Eben Ostby, Craig W. Reynolds, Richard Shoup, Rejean Gagne, Roy Hall, Rob Krieger, William Reeves, Alvy Ray Smith, Daniel Langlois, Samuel J. Leffler, Milan Novacek, Thomas Porter, Tom Duff, Richard Laperriere, Glen Ozymok, Dave Springer
  • Stage Operations - Oconnor Laboratories, Joel W. Johnson
• 1996
  • Special Photographic - Jonathan Erland, Jim Hourihan, William Reeves, John Schlag, Kay Beving Erland, Brian Knep, Zoran Kacic-Alesic, Thomas Williams
• 1995
  • Camera - Arnold & Richter Cine Technik, Martin S. Mueller
  • Lenses and Filters - Iain Neil, Rick Gelbard, Eric Dubberke, Panavision International, L.P.
  • Photography - Ronald C. Goodman, Attila Szalay, Steven Sass, Spacecam Systems, Inc.
  • Sound - Digital Theater Systems, Dolby Laboratories, Howard Flemming, David Gilmartin, Colin Mossman, Sony Corporation, Johannes Borggrebe, Ronald Uhlig, Joe Wary, Jean-Pierre Gagnon, Hans Leisinger, Gerald Painter, Frank Ricotta, Deluxe Laboratories, Technicolor, Inc.
  • Special Photographic - Alvy Ray Smith, Ed Catmull, Thomas Porter, Tom Duff
• 1994
  • Editorial and Pre-production - Patrick D. Oconnor
  • Lenses and Filters - Iain Neil, Al Saiki, Panavision International, L.P.
  • Sound - Jsk Engineering, James Ketcham
  • Special Photographic - Les Dittert, Industrial Light And Magic, Information International, Glenn Kennel, Rfx, Inc., George Sauve, Bill Bishop, Mike Davis, Eastman Kodak, Pacific Data Images, Pixar, Arpag Dadourian, Industrial Light And Magic, Ray Feeney, Richard Patterson, Bill Bishop, Dan Cameron, Gary Demos, David Difrancesco, Ray Feeney, Lincoln Hu, Will Mccown, Michael Mackenzie, Scott Squires, Gary Starkweather
• 1993
  • Camera - Fritz Gabriel Bauer
  • Systems - Mark Leather, Les Dittert, Douglas Smythe, George Joblove
• 1992
  • Camera - Arnold & Richter, Otto Blaschek, Al Mayer, Iain Neil, Hans Spirawski, Douglas Trumbull, The Engineering Department Of Arri, Austria, Bill Eslick, George Kraemer, Geoffrey H. Williamson, Robert D. Auguste, Edmund M. Di Giulio, Don Earl
  • Sound - Robert Orban, Claus Wiedemann, Dolby Laboratories
  • Special Photographic - Loren Carpenter, Rob Cook, Ed Catmull, Tom Porter, Pat Hanrahan, Tony Apodaca, Darwyn Peachey
  • Stage Operations - Ken Bates
• 1991
  • Lenses and Filters - Iain Neil, Albert Saiki, Otto Nemenz International, Panavision Incorporated
  • Lighting - Mario Celso
  • Stage Operations - Harry J. Baker, Guido Cartoni, Heinz Feierlein, Georg Thoma, George Worrall, Of Sachtler Ag
  • Systems - Randy Cartwright, Faz Fazakas, Ray Feeney, David B. Coons, Brian Henson, Richard Keeney, Lem Davis, Dave Housman, Richard J. Lundell, Thomas Hahn, Peter Miller, James Houston, John Stephenson, Mark Kimball, Peter Nye, Michael Shantzis, David F. Wolf, The Walt Disney Feature Animation Department
• 1990
  • Camera - Fuji Photo Film Company, Limited
  • Laboratory - Bell And Howell, Technical Film Systems, Incorporated, Walter Hrastnik, John W. Lang, Manfred G. Michelson, Charles J. Watson
  • Special Photographic - Mechanical Concepts, Incorporated, Bruce Wilton
• 1989
  • Camera - J. Noxon Leavitt, Wilcam Photo Research, Incorporated, Robert D. Auguste, Istec, Incorporated, Geoffrey H. Williamson
  • Camera Cranes - J.L. Fisher, Incorporated, Klaus Resch, Erich Fitz, Fgv Schmidle & Fitz, J.L. Fisher
  • Sound - Jsk Engineering, James Ketcham
• 1988
  • Camera - The Arnold & Richter Engineering Staff, Roy W. Edwards, Otto Blaschek, The Engineering Staff Of Photo-Sonics, Incorporated, Arriflex Corporation
  • Special Photographic - Jerry Jeffress, Alvah Miller, Peter A. Regla, Dan Slater, Tondreau Systems, Bud Elam, Ray Feeney, Paul Johnson, Lynx Robotics, Elicon, Bill Holland, Joe Parker, Kris Brown, Billy Bryan, Interactive Motion Control, Bill Tondreau
• 1987
  • Camera - Fritz Gabriel Bauer
  • Film - Eastman Kodak Company
  • Laboratory - Colin F. Mossman, Rank Film Laboratories' Development Group
  • Lenses and Filters - Carl Zeiss Company
  • Projection - Willi Burth, Kinotone Corporation
  • Special Photographic - Courier Films Ltd., Zoran Perisic
• 1986
  • Camera Cranes - William L. Fredrick, Hal Needham
  • Laboratory - Metro-Goldwyn-Mayer Laboratories Inc., Manfred G. Michelson, Bruce W. Keller, Technical Film Systems, Incorporated, John L. Baptista, Anthony D. Bruno
  • Sound - Sennheiser Electronic Corporation, Professor Fritz Sennheiser
  • Special Photographic - Associates And Ferren, Boss Film Corporation, R/Greenberg Associates, Incorporated, Dr. Alfred Thumin, Elan Lipschitz, Oxberry Division Richmark Camera Service, Inc., Darryl A. Armour, Richard Edlund, Bran Ferren, David Grafton, Robert Greenberg, Charles Harrison, Joel Hynekrobert Greenberg, Jerry Jeffress, Eugene Mamut, Mark West, Gene Whiteman, Bob Wilcox, Kenneth Wisner
• 1985
  • Camera - E.F. Nettmann & Associates, Matthews Studio Equipment, Inc., Carlos Demattos, Ernst Nettmann, Edward Phillips
  • Lighting - Musco Mobile Lighting, Ltd., David Crookham, Joe P. Crookham, Jim Drost, Myron Gordin
  • Systems - Imax Systems Corporation
• 1984
  • Lenses and Filters - Richter Cine Equipment, Kenneth Richter
  • Sound - Film Processing Corporation, 3M Company, John Mosely, Donald A. Anderson, Ruben Avila, Wes Kennedy, Wes Kennedy, Diana Reiners, Barry M. Stultz
  • Special Photographic - Digital Productions, Incorporated, Gary Demos, John Whitney Jr.
  • Stage Operations - Gunther Schaidt, Rosco Laboratories, Incorporated
• 1983
  • Camera - Lightflex International Limited, Gerald J. Turpin
  • Laboratory - Gunnar P. Michelson
  • Special Photographic - Apogee, Incorporated, Roger Dorney, Jonathan Erland
• 1982
  • Camera Cranes - Leonard Chapman, Elemack Italia S.R.L., Rome, Italy, Salvatore Zelli, Sante Zelli
  • Laboratory - Colin F. Mossman, Minnesota Mining And Manufacturing Company, The Research And Development Group Of Rank Film Laboratories, London, Dr. Mohammad S. Nozari
  • Sound - Jacobus L. Dimmers
  • Stage Operations - Mitchell Insert Systems, Incorporated, Brianne Murphy, Donald Schisler
• 1981
  • Camera - Richard Edlund, Industrial Light And Magic, Incorporated
  • Laboratory - Eastman Kodak Company, Leonard Sokolow, Howard T. Lazare, Edward J. Blasko, Dr. Roderick T. Ryan
  • Photography - Nelson Tyler
  • Special Photographic - Richard Edlund, Industrial Light And Magic, Inc.
• 1980
  • Camera Cranes - Samuelson Alga Cinema S.A., Samuelson Film Service, Limited, Jean-Marie Lavalou, Alain Masseron, David Samuelson
  • Laboratory - Filmline Corporation, Edward B. Krause
  • Lenses and Filters - David A. Grafton
  • Lighting - Osram Gmbh, Dr. Werner Block, Dr. Bernard Kuhl
  • Stage Operations - Ross Taylor
• 1979
  • Sound - Neiman-Tillar Associates, Mini-Micro Systems, Inc.
• 1978
  • Sound - Dolby Laboratories, Inc., Ioan R. Allen, Philip S.J. Boole, Ray M. Dolby, Stephen M. Katz, David P. Robinson
• 1977
  • Camera - N. Paul Kenworthy, Jr., Panavision Incorporated, William R. Latady
  • Film - Eastman Kodak Company
  • Sound - Glen Glenn Sound, Nagra Magnetic Recorders, Inc., John Agalsoff, Emory M. Cohen, Barry K. Henley, Hammond H. Holt, Joseph D. Kelly, Stefan Kudelski
  • Systems - John C. Dykstra, Alva J. Miller, Jerry Jeffress
• 1976
  • Laboratory - Consolidated Film Industries, Technicolor, The Barnebey-Cheney Co., William L. Graham, Manfred G. Michelson, Geoffrey F. Norman, Siegfried Seibert
• 1975
  • Lighting - Universal City Studios, Inc, The Westinghouse Electric Corp., William F. Miner
  • Stage Operations - O'Connor Engineering Laboratories, Chadwell O'Connor
• 1974
  • Sound - The Burbank Studios Sound Department, Glen Glenn Sound, Samuel Goldwyn Studios Sound Department, Quad-Eight Sound Corporation, Waldon O. Watson, Richard J. Stumpf, Robert J. Leonard, The Universal City Studios Sound Department, Joseph D. Kelly
• 1973
  • Camera - Arnold And Richter Company, Joachim Gerb, Erich Kaestner
  • Laboratory - Gerry Diebold, Howard F. Ott, Psc Technology Inc., Research Products Inc., Eastman Kodak Company, Richmark Camera Service Inc., Roger W. Banks, Clifford H. Ellis, Harold A. Scheib, William W. Valliant
  • Sound - Magna-Tech Electronic Company, Inc.
• 1972
  • Camera - Panavision Incorporated
  • Laboratory - Joseph E. Bluth, Consolidated Film Industries, Ibm, Edward Efron, Howard T. Lazare, Edward H. Reichard
• 1971
  • Lighting - Optical Radiation Corp., John N. Wilkinson
• 1970
  • Laboratory - Consolidated Film Industries, Edward H. Reichard, Leonard Sokolow
• 1969
  • Laboratory - Hazeltine Corporation
  • Photography - Juan De La Cierva, Dynasciences Corporation
  • Stage Operations - Fouad Said
• 1968
  • Camera - Cinema Product Development Company, Panavision Incorporated, Todd-Ao Company, The Mitchell Camera Company, Edmund M. Di Giulio, Norman S. Hughes, Niels G. Peterson
  • Film - Eastman Kodak Company
  • Laboratory - Eastman Kodak Company, Producers Service Company
  • Photography - Donald W. Norwood
• 1966
  • Camera - Arnold & Richter Kg, Mitchell Camera Corporation
• 1965
  • Lighting - Strong Electric Corporation, Subsidiary General Precision Equipment Corporation, , Arthur J. Hatch
  • Sound - Stefan Kudelski
• 1964
  • Laboratory - Carl W. Hauge, Edward H. Reichard, Job Sanderson, Sidney P. Solow
  • Lenses and Filters - Pierre Angenieux
• 1962
  • Camera Cranes - Ralph Chapman
  • Laboratory - Professional Division, Bell & Howell Company, Albert S. Pratt, James L. Wassell, Hans C. Wohlrab
  • Lighting - Paramount Pictures Corporation, William Bryson Smith, Charles E. Sutter
  • Projection - North American Philips Company, Inc.
• 1961
  • Laboratory - James Dale, E.I. Sponable And Herbert E. Bragg, Deluxe Laboratories, Inc. With Assistance F.D. Leslie, R.D. Whitmore, A.A. Alden, Endel Pool And James B. Gordon, S. Wilson, H.E. Rice, John Rude, Laurie Atkin, Wadsworth E. Pohl, H. Peasgood, Technicolor Corporation, 20Th Century-Fox Research Department, Under Direction
  • Lighting - Sylvania Electric Products Inc.
• 1960
  • Sound - Ampex Professional Products Company
• 1959
  • Laboratory - General Kinetics, Inc., Wadsworth E. Pohl, Jack Alford, William Evans, Lipsner-Smith Corporation, Werner Hopf, Henry Imus, S.E. Howse, Joseph Schmit, Thomas P. Dixon, Paul Fassnacht, Al Lofquist, Stanford Research Institute, Technicolor Corporation, Robert P. Gutterman
  • Lenses and Filters - Panavision, Inc.
  • Projection - Bausch & Lomb Optical Co., James R. Benford, Dr. Howard S. Coleman, Harold E. Rosenberger, Harold H. Schroeder, Dr. A. Francis Turner
  • Systems - Metro-Goldwyn-Mayer Inc., Robert E. Gottschalk, John R. Moore, Douglas G. Shearer
• 1957
  • Laboratory - Harlan L. Baumbach, Lorand Wargo, Howard M. Little, The Unicorn Engineering Corporation
  • Lenses and Filters - The Societe D'Optique Et De Mecanique De Haute Precision
• 1955
  • Film - Eastman Kodak Company
  • Special Photographic - Farciot Edouart, Hal Corl, The Paramount Studio Transparency Department
• 1953
  • Sound - Reeves Soundcraft Corporation
• 1952
  • Photography - Technicolor Motion Picture Corporation
• 1951
  • Sound - Radio Corporation Of America, Victor Division
  • Special Photographic - Gordon Jennings, Metro-Goldwyn-Mayer Studio, S.L. Stancliffe, The Paramount Studio Special Photographic And Engineering Departments, Olin L. Dupy
• 1950
  • Laboratory - James B. Gordon, The 20Th Century-Fox Studio Camera Department
  • Sound - John Paul Livadary, Loren L. Ryder, Floyd Campbell, The Paramount Studio Sound Department, L.W. Russell, The Columbia Studio Sound Department
• 1948
  • Props - Victor Caccialanza, Nick Kalten, Maurice Ayers, Louis J. Witti, The Paramount Studio Set Construction Department, The 20Th Century-Fox Studio Mechanical Effects Department
• 1947
  • Laboratory - C.R. Daily, The Paramount Studio Film Laboratory, Still And Engineering Departments
  • Projection - C.C. Davis, Electrical Research Products, Division Of Western Electric Company
• 1944
  • Sound - Stephen Dunn, The Rko Radio Studio Sound Department, Radio Corporation Of America
• 1943
  • Film - E.I. Dupont De Nemours And Company, Inc.
  • Special Photographic - Farciot Edouart, Earle Morgan, Barton Thompson, The Paramount Studio Engineering And Transparency Departments
• 1942
  • Lenses and Filters - Daniel B. Clark, The 20Th Century-Fox Film Corporation
  • Stage Operations - Carroll Clark, F. Thomas Thompson, The Rko Radio Studio Art And Miniature Departments
• 1941
  • Film - Rca Manufacturing Company
  • Laboratory - Electrical Research Products Division Of Western Electric Company, Inc.
• 1937
  • Cartoon Process - Walt Disney Productions, Ltd.
  • Film - Eastman Kodak Company
  • Sound - Douglas Shearer, The Metro-Goldwyn-Mayer Studio Sound Department
  • Special Photographic - Farciot Edouart, Paramount Pictures, Inc.
• 1936
  • Sound - Rca Manufacturing Company, Inc., E.C. Wente, The Bell Telephone Laboratories
• 1935
  • Film - Agfa Ansco Corporation
  • Lenses and Filters - Eastman Kodak Company
• 1934
  • Sound - Electrical Research Products, Inc.
• 1932/1933
  • Sound - Electrical Research Products, Inc., , Rca-Victor Co., Inc.
• 1931/1932
  • Cartoon Process - Technicolor Motion Picture Corp.
• 1930/1931
  • Sound - Fox Film Corporation