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Shifting Sands
created by
J. Totale
(
idea
) by
J. Totale
(6.3 mon)
(
print
)
?
(
I like it!
)
Wed Aug 21 2002 at 13:40:49
The first and definitely one of the best tracks off
The Hasselhoff Experiment
's
hard rock
ing second album -
Always Outnumbered Always Outgunned
. This song sets the tone of the album, and is a perfect example of what The
Hasselhoff
Experiment
are all about;
stripped down
dirty
garage
y
rock 'n' roll
.
The song
kicks off
with a heavily distorted
guitar
riff
by
Andrew Trolley
, then two bars later
Brendan Moran
's drums hits you. No basic
eight beat
here, but different combinations of
kick
,
snare
and
cymbal
s, peppered with a few short, fast rolls keep the
tempo
up for the whole song. By far the most surprising and one of the most enjoyable parts to the song is
Dave Coventry
's absolutely manic
harmonica
that appears on occasion throughout the song, usually just before each verse starts. Although it sounds a little
unorthodox
, it suits the song perfectly and really sets it apart from the other tunes on the album (not to say they haven't their charms though). Trolley's voice is quite deep and
raspy
, and he comes off as a cross between
ZZ Top
and
Lemmy
from
Motorhead
. Definitely a good thing.
The
lyrics
in this song seem, to me at least, a little
gimick
y (but still rather cool), but the focus of the 'Experiment's stuff is definitely not the lyrics, but the
arse-kicking
rock-ness of the music. The content seems to be about the nature of
war
(implying a certain extent the nature of
guns
as well), and the mindset of being able to kill someone but Trolley does not seem like he is trying to hammer a point home, or even make a point. The vocals really only serve as another instrument in the song, the last verse being sung through some sort of
filter
. The words are bloody hard to
decipher
over the heavy guitar, and what's written here is probably wrong, but for no want of trying - I listened to the song a large number of times. If you've got better hearing or some fancy
computer program
or something to sharpen the
vocal
s tell me.
SHIFTING SANDS
Shifting
sand
s
Shifting sides
Always a
muzzle
That ended life
All the
blood runs cold
All the
blood
ran warm
All the
fate
of lives
Lives laid as
pawns
Hurt
ed hurted
Heed it all
Can't buy this vision
I must fall
It ain't enough
To
plead your case
When lines of
guilt
Are written on your face
Maybe once
You didn't feel
dissuade
What passes
hell
Anger in stained
Frustration
I can't stand no more
Let ?*
Drive it's car
Shifting sands
Shifting sides
Always a muzzle
That ended life
All the blood runs cold
All the blood ran warm
All the fate of lives
Lives laid as pawns
* Try as I might, I just couldn't catch this at all.
Stuff in this must be wrong, so please
/msg
me about it if you think you know.
printable version
chaos
C'n'C'-S Mithering
Metal Circus
bass
How I Wrote Elastic Man
Singing Sand
What Comes Next?
Rock 'N' Roll
Neil Peart
Outdoor Miner
Neu!
The Godfather
Mount Vernon Arts Lab
Armalite Rifle
Final Day
harmonica
Dissuade
September 10, 2001
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