The modern Japanese abacus has only one bead above the divider and four below, and usually has 21 wires.
To represent a number on the abacus, beads are moved toward the divider. The rightmost wire represents the ones, the next one over the tens; the third from the right stands for hundreds, and so on. For example, here's a diagram of a Chinese abacus showing 54,927:
heaven beads ----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O | O | O | | | | | | | | | | | O | O | O | ----------------------------- | | | | | | | | | | O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O | | | | O O O O O O O O O O O O O | | O O O O O O O O O | | O O | | O O O O O O O O O O O O O | ----------------------------- earth beads
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O | O | O | | | | | | | | | | | O | O | O | ----------------------------- | | | | | | | | | | O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O | | | | O O O O O O O O O O O O O | | O O O O O O O O O | | O O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O | O | O | | | | | | | | | | | O | O | O | ----------------------------- | | | | | | | | | | O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O O | | | O O O O O O O O O O O | O | | O O O O O O O O O | | O O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O | O | O | | | | | | | | | | | O | O | O | ----------------------------- | | | | | | | | | | O O O | | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O | O | | O O O O O O O O O | | O O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O | O | O | | | | | | | | | | | O | O | O | ----------------------------- | | | | | | | | | | O O O | | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O | | | O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O | O | O | | | | | | | | | | | O | O | O | ----------------------------- | | | | | | | | | | O O O | | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O | O O | | O O O O O O O O O | O | O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O | O | | | | | | | | | | | | | O | O O O | ----------------------------- | | | | | | | | | | O O | | | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O | O O | | O O O O O O O O O | O O O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O | O | | | | | | | | | | | | | O | O O O | ----------------------------- | | | | | | | | | | O O | | | | O O O O O O O O O O | O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O | O O O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O O O | O O | | | | | | | | | | | | O | | | ----------------------------- | | | | | | | | | | O O | | | | O O O O O O O O O | O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O | O O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | | | | | | | | | | | | | | | ----------------------------- | O | | | | | | | | | O | | | | | O O O O O O O O O O O O | | O O O O O O O O O O | O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | | | | | | | | | | | | | | | ----------------------------- | O O | | | | | | | | | O | | | | | O O O O O O O O O O O | | O O O O O O O O O O O O O | | O O O O O O O O O O O | O | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | -----------------------------
----------------------------- | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | | | | | | | | | | | | | | | | ----------------------------- | O O O | | | | | | | | O O | | | | | O O O O O O O O | O | | O O O O O O O O O O O O O | | O O O O O O O O O O O O | | | O O O O O O O O O O O O O | | O O O O O O O O O O O O O | -----------------------------
The analogy to normal long division with pencil and paper should be evident.
The abacus is a mechanical aid for counting and doing arithmetic. It is wrong to think of the abacus as a calculating device like an electronic calculator or a slide rule; it is not a machine and it performs no calculations itself. Basically, it is just a tally device that stores the results of computations made mentally by the user.
An abacus consists of a number of columns that represent place values in a number system. For a decimal system, one particular column represents ones, the column to its left represents tens, the column to its right represents tenths, and so on. Each column has beads that slide up and down on a thin rod and is divided into an upper part and a lower part by a bar. The positions of those beads represent a numerical value for that column. We can think of the abacus, then, as a display unit that shows the results of counting or arithmetic operations.
The abacus is not an obsolete antique; it is still being used actively in China, Japan and in other countries that have been strongly influenced by Chinese culture. It is not unusual to see an abacus being used at counters in shops, with a cash register or computer in hand's reach. Elementary school children in those countries learn the abacus as part of their basic math curriculum.
The most common configuration for a modern abacus has between 10 and 30 or so columns. Each column has four beads in the lower part and one bead in the upper part. An older configuration that has five beads below and two beads above can still be seen, but less and less so. The rods and beads that form the columns are held together by a rectangular frame made of wood or plastic. The thin bar separating the upper and lower parts (which are called 'heaven' and ' earth' in Japanese) has dots on every fourth column that serve as the decimal point as commas do in written numerals to show which place values the columns represent and make the result easier to read. Size varies, especially with the number of columns, but most modern abaci are small enough to hold in the hand or be carried around in a case (something like the engineering student's slide rule of yore).
The abacus evolved from the earliest forms of tallying or counting. According to the American Heritage Dictionary, the word abacus is rooted in the Hebrew abaq, which referred to 'sand used for drawing and counting'. Later, there was the classical Greek abax and then the Latin abacus, which was absorbed into Middle English and handed down to us without change.
Sand was eventually replaced by pebbles as a counting medium, and people began placing the pebbles in column for counting. Later improvements included the use of grooved boards to hold the pebbles or beads. It is difficult to date the counting board, because they were made of wood or other non-durable materials, but the oldest surviving artifact is the Salamis tablet, which was used in Babylonia some three centuries BC. The Salamis tablet is a marble slab inscribed with eleven vertical lines that enclose 10 columns. A horizontal line crosses through the vertical lines about half way from top to bottom. This is the basic configuration of the abacus, but without the beads.
The hand abacus appeared sometime in the later Roman/Greek era, before 500 AD. That abacus had five columns, wth four beads on the bottom and one on the top. In the Middle Ages, the abaci used in Europe had a horizontal orientation. Later, a ten-bead abacus came into use, particularly in Russia.
In China, the abacus appears in paintings of the Song Dynasty, and by the Ming Dynasty the abacus was the common way of doing arithmetic. During that period, Chinese merchants spread the abacus throughout the Far Eastern Asia. An abacus made of corn kernels strung on strings was also used by the Aztecs around 900- 1000 AD.
The Chinese abacus featured five beads below the bar and two above (5/2). That configuration was suited to performing hexadecimal calculations, which was handy because of the base16 system of weights in use in earlier days. That configuration has now been replaced almost entirely by the 4/1 configuration, which is the most efficient for decimal system arithmetic. The abacus can also be used for the duodecimal or any other number system, simply by changing the number of beads per column.
Aside from its practical value, the abacus offers important benefits as a tool for introducing the concepts of numbers, counting, and arithmetic operations in early education. The abacus does not do the work for the young student as does an electronic calculator. Rather, it makes it easier for them to build up mental computation habits bit by bit and also reinforces the concepts with visual and physical feedback as students manipulate the beads. Studies have shown that children who learn on the abacus can do mental calculations earlier and faster than students who learn with paper and pencil.
http://www.ee.ryerson.ca/~elf/abacus/ http://www.ucmas.com/abacus_content.htm http://www.alohama.com/abmuseum/index.shtml
Ab"a*cus (#), n.>; E. pl. Abacuses ; L. pl. Abaci (#). [L. abacus, abax, Gr. ]
1.
A table or tray strewn with sand, anciently used for drawing, calculating, etc.
2.
A calculating table or frame; an instrument for performing arithmetical calculations by balls sliding on wires, or counters in grooves, the lowest line representing units, the second line, tens, etc. It is still employed in China.
3. Arch. (a)
The uppermost member or division of the capital of a column, immediately under the architrave. See Column.
A tablet, panel, or compartment in ornamented or mosaic work.
4.
A board, tray, or table, divided into perforated compartments, for holding cups, bottles, or the like; a kind of cupboard, buffet, or sideboard.
Abacus harmonicus Mus., an ancient diagram showing the structure and disposition of the keys of an instrument.
Crabb.
© Webster 1913.
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